So gave him the Chicago skyline, a chinese dragon, some chinese design work, maple leaf, and the PEI crest. Also threw in the Cornell logo for good measure.


Not sure whether this will work as a mask, but here ya go.
The Art and Musings of Josh Chodorow


And this was from when I was TAing the drawing class. Some of the students were complaining about one of the perspective assignments, so I did it alongside them. It involved doing a lot of reference sketching and then compositing the sketches into something fantastical.
I did a pretty quick digital paint job for class, but a friend showed the pencils to a friend who showed it to friend, and I was contacted by the ABC TV show DirtySexyMoney to ask if they could use it in an upcoming show. Apparently Donald Sutherland's kid in the show had a stack of comic books and they wanted to use Lance on top. So I asked my friends Chris McInerney and Erica Henderson if they'd take swings at coloring it. Ultimately the show ended up choosing Erica's version, but here are both.
And Erica's:
Also about the same time I worked on the poster for our Senior Show. Our Senior Show consisted of Katherine Batiste, myself, Rory Keller, Angela Gram, Keith Grassmick, Art Wu, and Stephanie Olesh.
Like the Wolverine piece, I'm hoping to get at this with some paints...
A poster for the RISD hockey team, the Nads. Our mascot is a giant penis and balls wearing a cape:
Sketch for Children's Illustrators group on DeviantArt. The theme was striped socks:
And some pen sketching around Providence:

I personally wanted to do the thumbnail in the top left. However, Jon felt it wasn't "cover-y" enough. So I went with one of the ones he and I both liked. I decided to try out a new media/style, doing a charcoal drawing with the intention of either then coloring it digitally or sealing it and then doing acrylic on top of it. Due to time constraints, I did some very minimal quick digital color.
The crit I received was very adamant about fixing the shoji screen background to be more accurate and felt the female face was neither abstract enough to approach brush making nor realistic enough to approach the drawing style of Wolverine. I'd been attempting to match the way the artist had drawn the woman in the interior, but agreed that it didn't work.
I went back in and made some of the suggested changes. I recently sealed it and I'm hoping to get to doing some painting over it sometime soon.

Our group, which consisted of myself, Keith, Art, Stephanie, and Elisa, had some issues working as a team, but after some outing of some issues, we managed to move pass it and Shanth, our professor, thought we had some of the best designs in the class. Ultimately, I was pleased, as the two of the three designs he really liked were the ones I had the most input on (Akima and Gune) , and I loved the third one (the Drej), which I'll also post here, which design-wise was predominantly my friends Keith and Art while I came up with the logic that helped rationalize the design.

With the Drej, they appeared to make no sense in the actual movie... they were pure energy beings who flew energy ships who for no apparent reason had decided on genocide for the human race. The problem with the whole energy being thing was that they still used guns to fire energy beams, they still had humanoid bodies, and the human characters had to interact with their various energy ships and buildings. Oh and when they were shot with energy beams by the heroes, they died. So we decided the Drej needed to have some more corporeal aspect to their form that the humans could disrupt. They also needed not to be humanoid while still having some kind of face that the viewers could identify with... and then we needed to figure out some kind of reasoning as to why they had this mad on for the human race. We eventually settled on the fact that they used the ruins and shards of a fallen advanced race to focus their energy beings around and then would travel by throwing out a shard and pulling themselves towards it. They had been the energy source of this advanced race but had gained sentience and overthrew their masters. They were out to get the humans, because in the humans they saw the potential to become their former overlords, and they'd decided to take preemptive action.

These are the scanned pencils from the final, with text and whatnot added in.
And this ended up being the final. The main crit here was that too much of the direction in the piece was a diagonal line between the bottom left and the top right. Also there was some argument over whether the robots were imposing/scary enough. Everyone seemed to agree that the guys in the bubbles were awesome heh.